Julie Rulyak Steinberg, Executive Director. Julie Rulyak Steinberg became the Executive Director of CMC in 2017, where she proudly leads the organization into its second century of providing access to music education for residents in the Bay Area and beyond. Julie brings an extensive background in fundraising and institutional advancement, and a wealth of experience in brand identity, strategic planning, and best practices for program development and sustainability. Julie has served as a grant panelist for numerous organizations including the New York State Council on the Arts, the New York City Department of Cultural Affairs, and the New York Times Company Foundation. Prior to joining Community Music Center, Julie served as the Executive Director of Turtle Bay Music School in New York City. Deeply committed to the expansion of community music-making, Julie trained with Third Street Music School Settlement and the National Guild for Community Arts Education while developing curriculum for a Community Music Education Master’s Degree program at New York University. She is also a teacher of the Orff Schulwerk. Julie holds a B.M., summa cum laude, and M.A. from New York University’s Steinhardt School for Culture, Education and Human Development.
Aaron Bierman, Finance and Operations Coordinator. A native of San Francisco, Aaron has been ingrained in music ever since he picked up a guitar for the first time at the age of 7. Shortly after, he came to CMC’s Mission Branch for the first time in 2008 to take lessons, where he studied guitar for ten years. In addition to private lessons, Aaron studied with CMC’s Teen Jazz Orchestra for 7 years and is a recent graduate of CMC’s Young Musicians Program, so it is no surprise that he calls CMC his second home. A former Merit Scholar and aspiring performer and composer, Aaron joined CMC’s staff in early 2019. When not working or practicing, Aaron enjoys time with friends and family, great food, and a variety of card games. Aaron plans to attend Berklee College of Music beginning in 2021.
Susan Comstock, Finance Manager. Susan joins CMC’s Finance team with a commitment to improving small business finance and human resource functions. “Structure creates freedom” is her professional slogan, which she employs along with accurate data management and mindfulness practices that support organizational health. She has worked with several community based non-profits in the Bay Area, heading the finance team for Community Partners International, who provide health services in Burma and Thailand. Susan feels very much at home with CMC, having grown up surrounded by musicians. She has been praised for her talents in mixtapes and playlists, and in her free time enjoys spending time with her son, making multi-media art, writing, and riding a bike.
David Dezern, Mission District Branch Registrar. David comes to CMC with a background in academic administration, nonprofit systems, and organizational assessment. As Director of Faculty Services at Starr King School for the Ministry, he co-chaired the accreditation and strategic planning committee, implemented new programs, formulated procedure manuals, and streamlined registration processes. He has worked as a publicist, event coordinator, and database analyst for the Lupus Foundation of Northern California; a curator and researcher for the Academy Members Project; a teacher of queer and postcolonial theories; a store manager; and a documentary filmmaker. He holds degrees in systematic theology and cultural studies from the University of Notre Dame (B.A.) and the Jesuit School of Theology at Berkeley (M.A.). In his youth, he played the tuba for eleven years, performing in both concert and marching bands.
Gabi Díaz-Hernández, Mission District Branch Assistant Registrar. Gabi Díaz-Hernández first came to CMC as a student in 2017, and loved it so much they decided to work here when the opportunity arose in 2018. Gabi has worked in several customer-facing roles, and at CMC is invested in helping students have the best experience signing up for classes. Gabi has an A.B. in Cognitive Science from the University of Georgia, as a result of being fascinated by the effects of music on mental health, development, and aging. Gabi currently plays woodwinds with Coraza: a feminist indie-folk pop group based in Oakland. As an avocational musician and lifelong student, they are constantly looking for learning opportunities in different classes and workshops around the Bay Area’s multiple arts spaces and cultural centers.
Jose Hernandez, Mission District Branch Assistant Registrar. Jose holds a Master of Music degree in Vocal Music Performance from the Moores Opera Center at the University of Houston. His graduate studies include training with the American tenor Joseph Evans, dramatic training with stage director and librettist Buck Ross, music theory courses with Dr. Andrew Davis and Dr. Timothy Koozin, and received additional vocal coaching/role preparation with Katherine Ciscon, Joseph Mechavich, Bethany Johnson, and Thomas Jaber. His undergraduate voice studies were completed at the University of New Orleans in the studio of Dr. Raquel Cortina. Artistic awards include being named a district winner and regional finalist of the Metropolitan Opera National Council Auditions. He also received the first-place prize at the National Association for Teachers of Singing Southern Region competition. His artistic training includes spending five seasons as a Young Artist and Festival Artist with Utah Festival Opera in beautiful Logan, UT. He has performed with San Francisco Opera, Houston Grand Opera, New Orleans Opera, Opera San Jose, the Houston Symphony, Utah Festival Opera, Berkeley Opera, West Edge Opera, and with many Bay Area regional opera companies. He is a member of the American Guild of Musical Artists. He has recorded new works by Stephen Whitehead, which can be found on Spotify and Apple Music and appeared on the DVD and PBS Great Performances in Jake Heggie’s Moby Dick with the San Francisco Opera. Mr. Hernandez will graduate August 2019 from the Tulane University School of Law with a Master of Jurisprudence in Labor & Employment Law. Previous non-profit work experience includes positions with Health Initiatives for Youth, Juma Ventures DBA Ben & Jerry’s Castro Street, the San Francisco Opera Merola Program, and the Fresno Philharmonic. Instrumental training includes oboe at the United States Armed Forces School of Music with public school music education training on flute, clarinet, saxophone, piano, organ, mallet percussion, marching band drum major, and more.
Janet Houser, Richmond District Branch Registrar. Janet began playing the violin at the age of six and has worked in the field of arts administration since 1976. She was Development Associate and Orchestra Librarian for the San Francisco Symphony; Operations Manager for the San Francisco Opera; and Office Manager for Mariedi Anders Artist Management. She has also worked as website manager for opportunityknocks.org and Executive Assistant to CEO and CFO Commonwealth Club of California. Janet holds a Bachelor of Music in Music History and Literature from SFSU and has performed with the Villa Sinfonia and the SF Sinfonietta Orchestra. Janet is a San Francisco native and has lived in the Richmond District all of her life. She is also a faithful Giants fan.
Andy Huber, Director of Finance and Operations. Andy joined the CMC staff in July of 2018 after 5 years of working in community arts administration and finance at Turtle Bay Music School in New York City. There he worked first in programming, focusing on earned revenue streams, and over time transitioned into managing all financial, accounting and human resources functions as Business Manager. Beyond his direct duties, Andy gained a wide skill set for working in community arts education and interacting with the many stakeholders who care about our work: students, parents, faculty and board members.
Andy holds degrees in Music Education – Voice (B.M.) and Theater – Acting (B.F.A) from Michigan State University in East Lansing, Michigan. There he was lucky to participate in many plays, musicals, operas and choral ensembles. When not working, he enjoys podcasts, NPR, playing video games and attempting to be a more diligent reader. Andy and his wife, Katie, reside in Berkeley and enjoy great meals and fun trips.
Michelle Lee, Marketing Assistant. Michelle Lee joins CMC with a wide range of musical and professional experience. In addition to her life as a performer, she has a background in arts administration, marketing and development, event production, stage management, and music education. She has worked with independent artists and local music organizations, including Sacred & Profane Chamber Chorus, the Center for New Music, and Crowden Music Center, and possesses marketing and graphic design experience in both retail and the arts. Michelle has attended the Conservatory of Music at University of the Pacific and holds a degree in Flute Performance from Mills College. As a flautist, she specializes in contemporary music: focusing on chamber music and collaborative performances that incorporate both traditional and experimental notation, extended techniques, electronics, improvisation, and performance art.
Adriana Marrero Ocasio, Program Coordinator and MDYMP Coordinator. Since relocating to the San Francisco Bay Area from Puerto Rico in 2010, Adriana has been actively working and performing in the local music community. As a jazz and Latin music vocalist, she has fronted local bands Cha Ching! and Soltron, and has also collaborated with Lagos Roots Afrobeat Ensemble, The Funk Revival Orchestra, The John Santos Sextet, Terrence Brewer, and the Latin Jazz Youth Ensemble. She has shared the stage with The California Honeydrops, Tony Allen, Antibalas, La India, and many other greats in the music scene. She has also taught music and literacy classes in headstarts as part of Music In Schools Today (M.U.S.T) and performs at Alzheimer’s care facilities and senior centers as part of The Astronauts.
Anne C. Mitchell, Marketing Manager. Anne has been working and performing in the Mission District arts community since 2002. As a musician she has shared the stage with the indie great Ani DiFranco, and has collaborated extensively with critically acclaimed poet Judy Grahn. With an interest in musical performance that goes beyond the stage, Anne has worked in an organizational capacity for Eth-Noh-Tec storytelling group, ODC Theater, Nusku Arts in teaching, programs, box office management, marketing, and event coordination. She found her way to CMC is 2011 like so many through her love of studying music and composition. She holds an MFA in Songwriting and Vocal Technique from New College of California and a BA in Cultural Arts from the Evergreen State College. Her music can be found at annecarol.com.
Polly Moller Springhorn, Grants Manager. Before coming to CMC, Polly served as Grants Manager for SFJAZZ, Manager of Institutional Giving at San Francisco Art Institute, and Institutional Giving Director for the San Francisco Girls Chorus. Polly is equally at home in the worlds of free improvisation, contemporary composition, and rock. She plays bass flute with the improvising ensemble Ghost in the House, flutes and voice with the electroacoustic duo Usufruct, and sings, plays flute, and plays guitar with the progressive rock band ReconnaissanceFly. Polly is a published composer with several works available from ALRY Publications.
Michelle Navarrete, Older Adult Choir Program Coordinator. Before joining the CMC family, Michelle served as a Membership Services Assistant at the San Francisco Museum of Modern Art. She also helped with the reopening of the museum in 2016 . She has over 20 years of experience as a Theatre Artist, both on and off the stage. From singing out her Abuelitas favorite rancheras, to belting out showtunes, Michelle fell in love with music and singing at a very early age. With her love of music and the performing arts, she has had the privilege to teach as an Arts Educator and use her skills as a Substitute Teacher for the SFUSD. After receiving her BFA in Theatre Arts from Marymount Manhattan College, she continued to pursue her career in NYC, performing in and producing theatre. After over ten years in the Big Apple and missing her hometown, she decided to return to San Francisco and her family and has not looked back. Whether as a performer, educator, or activist, she has made music and the performing arts part of her life.
Elenka Refsell, Development Manager. Elenka started learning to read music at age four and hasn’t looked back since. Before coming to CMC, she worked as the Registrar and Donor Services Manager at the Piedmont East Bay Children’s Choir and the Development Associate at the Shanti Project. A singer and voice teacher, Elenka has sung with a number of prestigious Bay Area ensembles and opera choruses, including Volti, the International Orange Chorale, West Edge Opera, and Festival Opera. In 2011 she was pleased to premiere the soprano role in Andrew Pascoe’s God: The Opera. A transplant from the Boston Area, Elenka is happy to call the Bay Area home.
Carolyn Squeri, Campaign Director. Carolyn comes to CMC with experience in managing successful fundraising and capital campaigns, and with strong interests in community development and strategic planning. She has capital campaign experience from her previous positions at the Cathedral of Christ the Light, Notre Dame de Namur University, and San Francisco Heritage at the Haas-Lilienthal House, where she most recently served as Director of Development. A fourth generation San Franciscan, Carolyn’s fundraising experience developed at her sons’ schools, Cathedral School for Boys, St. Ignatius College Prep, Lick-Wilmerding High School, and Stanford University. She has served on the boards of Good Samaritan Community Center, St. Francis Wood Women’s League, Stanford Women’s Club of San Francisco, St. Francis Homes Association, Stanford Parents’ Advisory Board, and the West of Twin Peaks Central Council. Carolyn is a graduate of Stanford University, where she earned a B.A. in History with a focus on international relations.
Sylvia Sherman, Program Director. Sylvia brings more than twenty-five years of experience with non-profit and philanthropic organizations to Community Music Center. These include the San Francisco Art Commission, Oakland School for the Arts, and various community-based and philanthropic groups. She worked for fourteen years as Director of Development and Special Projects at La Peña Cultural Center, developing long-range strategic plans, institutional and individual donor fundraising, special program initiatives, coordinating La Peña’s artist-in-residence program; producing new work, concerts of international artists, and multi-disciplinary program series. Sylvia is an alumna of community-based arts education programs, playing percussion and bass, currently performing with Latin Jazz group, Survival Groove.
Barbara Kosnar, President
Barbara Kosnar retired from her position as a financial executive at Union Bank in 2011. She began her career as a Certified Public Accountant, working for a “Big Four” firm. She has an MBA from Golden Gate University and an undergraduate degree in Music Education from San Francisco State University. Barbara served on the Board of Directors of the Union Bank Foundation and of Audubon Canyon Ranch, and was a member of the Audit Committee of the ClimateWorks Foundation. An avid amateur pianist, she has studied for many years at CMC and enjoys spending time playing four-hand piano pieces with friends. Having discovered CMC as a student, she is honored to serve and support the school so that others can discover the joy of making music for themselves.
Catharine L. Kalin, Vice President
Currently Vice President of the CMC Board of Directors and chair of the governance committee, Catharine Kalin is a past board president and has served on the board for almost 20 years, having chaired the executive director search committee and five-year plan committee. She is now retired from having served as director of operations at the Ploughshares Fund, a public foundation investing in peace and security worldwide, for over 25 years. She was a docent at the San Francisco Museum of Modern Art for 18 years and served as Docent Council president.
Zachary Morfín, PhD; Vice President is an organizational consultant and works with boards of directors and executive teams in the areas of board performance and development, strategic innovation, and talent management. His consulting work spans the for-profit sector in consumer, food and beverage, financial, energy and utilities, as well as the non-profit sector in health care, performing arts, education, and philanthropy. Zach has a Ph.D. and M.A. in Organizational Psychology and received a B.A. in History and a B.M. in Piano Performance from Oberlin College and Conservatory. An accomplished pianist, he performs publicly, having given recitals recently at the Steinway Piano Gallery, with the UCSF Chamber Music Society, and at the San Francisco Conservatory of Music.
Paul Sussman, Treasurer
Paul Sussman is a consultant to nonprofit organizations, lenders and foundations. He previously served as Chief Financial Officer of the Tenderloin Neighborhood Development Corporation (TNDC), and was the founding President of Community Vision (formerly Northern California Community Loan Fund). Paul is a former trumpeter and his two children and wife have been CMC students.
Tim Eischens, Secretary
Tim Eischens Tim Eischens is the Senior Executive Assistant to the Chief Technology Officer at Autodesk, Inc. Autodesk is a world leader in 3D design software for manufacturing, building, construction, engineering, and entertainment. Tim is also a baritone and collaborative pianist. He earned his music degree from Minnesota State University – Moorhead, The Mozarteum Conservatory, and The University of Salzburg, Austria. He has sung with the San Francisco Lyric Opera, Urban Opera, Renaissance Voices, Choral Society, Bach Chorus and has performed recitals at CMC. He regularly accompanies singers around the Bay Area and studies voice with soprano, Susan Gundunas.
Emily Berger is a lawyer who is currently working at Facebook to increase the availability, affordability, and awareness of the Internet through international partnerships in emerging markets. She began her legal career in private practice in Boston but took a leave of absence after several years to work with the San Francisco-based Electronic Frontier Foundation promoting innovation through impact litigation, policy analysis, and activism. She fell in love with the Bay Area and never made it back east, staying instead to work as an in-house lawyer at Dolby Labs supporting audio technology licensing and at Netflix on its product development and international partnerships.
She has a JD from the University of Maryland and a BS in Chemical Engineering from Tufts University. Emily was a woodwind doubler for 20 years, playing the clarinet in her high school marching and symphonic bands along with the sax and flute in the jazz band. She was one of only two clarinetists in the Tufts University Orchestra which partnered with students at the New England Conservatory to give, amongst other performances, a rousing rendition of Orff’s Carmina Burana. These days, she hasn’t been playing herself, but enjoys indoor and outdoor concerts of all sorts and participates in a monthly ‘listening club’ for the purpose of discovering new music.
Emily is honored to support and serve the CMC, based in her neighborhood in the city of SF, so that others can discover the joy of making music (and dancing)
Lucia Bogatay has practiced architecture since 1969. She earned a degree in History of Art from Wellesley College and a Master of Architecture degree from the Harvard Graduate School of Design. Lucia currently serves as President of the board of the Presidio Historical Association. She serves on the boards of 405 Shrader, a chamber music performance organization, and the Mission Dolores Neighborhood Association. She helped supervise the 1983 renovation of CMC’s Mission District Branch and subsequently joined the board. Lucia took piano lessons at the CMC for a dozen years, and still enjoys playing the piano.
Katherine Bukstein holds a Masters of Music in Viola Performance from San Francisco State University. She has taught music privately and in the public schools. From 2004 to the present, she has served on the board of San Francisco Friends of Chamber Music and served as its president from 2009–2016. She currently serves on the Artistic Committee of the Peninsula Symphony and the Artistic and Education Committees of Music at Kohl Mansion. She also serves on the Board of Directors of the Mervyn L. Brenner Foundation. Katherine is an avid chamber musician and also performs with the Peninsula Symphony.
Debbie Chinn is the Executive Director of Opera Parallèle, based in San Francisco. She most recently served as Executive Director of the Carmel Bach Festival for five seasons where she implemented her strategic vision to grow the Festival from a two-week festival into a presenter of classical music concerts over a 12-month period. Over the past 30 years, Debbie has held executive leadership positions as Managing Director of Baltimore Center Stage, California Shakespeare Theater, and Shakespeare Theater of New Jersey. She currently sits on the board of Theatre Bay Area, the largest regional theatre service organization in North America. Her transformative work at the Carmel Bach Festival is featured as one of thirteen case studies in “Creative Social Change: Leadership for a Healthy World” in the International Leadership Association Series which assembles thought leaders to reimagine leadership in building a healthy, sustainable, and equitable world.
Jean Dowdall had an academic career as a sociologist and college administrator, followed by work as a search consultant for universities seeking new presidents and other senior officers. She earned a bachelor’s degree and PhD at Brown University. She studied piano as a child at a community music school very much like SFCMC in New York City, and returned to piano in recent years with lessons at Community Music Center. In between, she has been a choral singer and board member with Mendelssohn Club of Philadelphia, and also served on the boards of several other arts and academic organizations.
Geoffrey Gallegos is a San Francisco native and sixth generation Californian. He is currently Music Director and Conductor of the Kensington Symphony Orchestra, the West County Winds and Golden Gate Opera all in the Bay Area. From 2003 to 2008, he served as Assistant Conductor of the Peninsula Symphony Orchestra of Northern California. Maestro Gallegos has a deep commitment to music education. In 2001, he was appointed Music Director and Conductor of the Golden Gate Philharmonic, an all-city youth string orchestra program based in San Francisco. From 2001 to 2010 he participated in the Artist in Residence program at the School of the Arts in San Francisco and during the 2000-01 academic year, Maestro Gallegos served as Conductor of the San Francisco State University Symphonic Wind Ensemble. He has been a Guest Conductor of Orchestras at Cazadero Music Camp and he served as Coordinator of Instrumental Music at The Nueva School in Hillsborough where he oversaw the prestigious Menuhin/Dowling program and Young Musicians Competition. Maestro Gallegos holds a Bachelor of Music degree, with honors, in Instrumental Education and Conducting from San Francisco State University and a Master of Arts degree in orchestral and opera conducting, with High Distinction, from the University of Iowa School of Music. Since 2005, he has served on the Board of Directors of the San Francisco Community Music Center where he began his music studies with the trumpet at the age of nine.
Ron Gallman is the San Francisco Symphony’s Director of Education and Youth Orchestra. He oversees the Symphony’s education programs, which serve the spectrum of Bay Area communities and have been described as national models in educational and programming excellence. Gallman gives lectures and writes program notes for the SFS and arts organizations across the country. He has served on national and state arts panels, participated as a presenter in arts conferences nationwide, and serves on boards and committees of local, state, and national arts organizations.
Duncan Haberly is a serial entrepreneur, author, and recovering lawyer. He is CEO at The Meta, an eSports startup, and has been fortunate to be a part of the successes of Military.com, if(we), Instructables, and Objective Loyalty. Duncan firmly credits CMC with giving him the core music skills that prepared him to study in SF State University’s Music Department from 2011 to 2015. Duncan has a J.D. and B.A. from the University of Virginia and is a veteran of U.S. Army Military Intelligence.
Brooke Joseph was born in Salt Lake City where her family enjoyed a warm Jewish community, skiing, hiking, and extended family. During her time attending at Mount Vernon College for Women in Washington DC, which later became part of George Washington University, Brooke was able to focus on her love of politics and respect for public service. She began her career in Washington after college as a member of Walter Mondale’s presidential campaign team. She worked on the presidential bids of Mike Dukakis and on the campaigns of Senator Bill Bradley, Senator John Kerry, and then-Senator Barack Obama. Brooke was the Northern CA Finance Director for the first Obama campaign and had the privilege of working for President and Mrs. Obama doing advance work nationwide for the 8 years of the Obama Administration. Brooke is the mother of Coby, 26, a transportation planner and Benjamin, 29, a professional jazz and rock musician. Brooke’s Dad, Norm Rosenblatt is also an active musician. He founded Jazz Voices of Poetry and served for many years on the board of Community Music Center. Brooke’s husband Marc runs the environmental law firm Adams Broadwell Joseph and Cardozo. Brooke is currently building Commit the Vote, an organization that encourages 17- and 18-year-olds to commit to being life-long voters. She spends as much time as possible with her family, and revels in reading, walking, painting, and playing her violin.
Terri Kwiatek worked for Bank of America in leasing and equipment finance from 1978 to 2001. Prior to Bank of America, she worked for Continental Bank in commercial lending and economic research. Terri is on the finance committee of the Headlands Center for the Arts. She knows nothing about music but loves the Community Music Center.
Cathi Kwon is a business and product designer specializing in new product development as well as an amateur violinist and CMC student. She currently leads Adobe’s Experience Design Studio team, an internal incubator that employs the scientific method, rapid prototyping, and design thinking to create new tools for Adobe. Earning her BA in Economics from Wellesley College, she took the rest of her credits in the art department and later received an MBA from Stanford. Through her experiences, she has become a firm believer in the transformative potential of arts education, and her past volunteer work includes mentoring with First Exposures and BayKids. She enjoys impromptu dance parties, karaoke, and live music.
Kerry Landry is a senior leader in health policy dedicated to improving health coverage in San Francisco. Since relocating from the Midwest to the Bay, her work has been focused on partnering with the SF Department of Public Health to administer two innovative and landmark programs: Healthy San Francisco and the SF City Option. Kerry is currently a Director at the San Francisco Health Plan, which serves low income San Francisco residents enrolled in Medi-Cal. She holds MPH and BS degrees from the University of Minnesota. Kerry’s musical journey started with piano at age 7, then expanded to flute and percussion in high school concert and marching bands. She picked up guitar in college and has also dabbled in ukulele in hopes of becoming a campfire sensation. Kerry is thrilled to be serving on the CMC Board in support of music education, but also as inspiration to dust off her own instruments and find her way back to playing music.
Michael Marzelli is a senior manager in the San Francisco Financial Services audit practice with 14 years experience serving multi-national clients in New York, San Francisco and Hong Kong. His experience includes working with professional employer organizations, asset managers, banking organizations, blockchain and cryptocurrency companies in an audit and advisory capacity. Michael is experienced in facilitating collaboration among varied teams and individuals with diverse backgrounds and experiences. Michael also played electric and upright bass growing up, playing in the Franklin and Marshall Orchestra and participating in all-county and other regional orchestras and jazz performance groups. He strongly values the importance of music education because of these experiences.
Paul-David Shrader is a native Californian and progeny of a family of musicians. While Paul-David practices as an attorney for high-growth tech companies as his day job, his passion projects include charity regulation compliance, mentoring entrepreneurs, dabbling in musical instruments, and raising a Siberian husky. Paul-David also serves on the Western Regional Council for MedShare and the Northwestern University Leadership Circle Regional Board.
Zach Smith is currently a lead advisor at Brighton Jones, an independent wealth management company that focuses on helping clients, colleagues, and the global community live richer lives. Zach holds the Certified Financial Planner (CFP®) designation and enjoys guiding clients through important financial and life decisions. He studied Economics at the University of California in Santa Cruz.
Zach lived in San Francisco until he was seven years old and then moved to the Big Island of Hawaii for the remainder of his childhood. While in Hawaii, Zach became passionate about music and learned to play guitar, baritone horn, and double bass. Although his musical skills have become slightly rusty, he always makes time to support musical performances in his free time.
Diana Whitehead spent 30 years in the telecommunications and technology services industries. In addition to the Community Music Center, she serves on the boards of the Institute On Aging, San Francisco Historical Society, and the Salesian Boys and Girls Club. Diana enjoyed her music lessons as a child and has been a season ticket holder for the SF Symphony for over 40 years.
Patricia Taylor Lee, President Emerita
Pianist Patricia Taylor Lee is Professor and Chair Emerita of the Music Department of San Francisco State University and Artistic Director of the Virginia Waring International Piano Competition in Palm Desert, CA. She has also served on the faculties of the University of California, Davis and West Chester University in Pennsylvania and for ten years was the official pianist of the Sacramento Symphony. Dr. Lee earned a BA at Mills College and graduate degrees at Yale and Temple Universities. She is a trustee of the Ross McKee Foundation and a past trustee of Mills College, the Women’s Philharmonic, Friends of Chamber Music, the Performing Arts Library and Museum, and the Sacramento Symphony.
Jonathan Smucker; Faculty Council Chair, Voice Department Chair
Erik Andersen, Strings Department Chair
Rachel Condry, Brass/Winds Department Chair
Paul McMath, Member-at-large
Tregar Otton, Cultural Traditions Department Chair
Erik Pearson, Guitars Department Chair
Grace Huenemann, Piano Department Chair
Loretta Taylor, Member-at-large