Outsound New Music Summit – Animals and Giraffes & McCaslin Reed Pino

 

All concerts Q&A 7:30 pm

Eveyln Davis – piano; Phillip Greenlief – tenor saxophone, Bb clarinet; Aurora Josephson – voice; Claudia La Rocco – voice/text; John Shiurba – guitar

Animals and Giraffes is an ongoing collaboration between writer/performer Claudia La Rocco and saxophonist/composer Phillip Greenlief. The project explores the intersection of text and sound, and features a changing roster featuring some of the finest bay area improvisers. The group is currently ​​celebrating the upcoming release of JULY, their first album, featuring collaborations with Evelyn Davis, Tim Perkis, John Shiurba, Phillip Greenlief & Jon Raskin’s 2+2, David Boyce and Dapplegray.
Claudia La Rocco is a writer whose work frequently revolves around interdisciplinary projects and collaborations. She is the author of The Best Most Useless Dress (Badlands Unlimited), selected poetry, performance texts, images and criticism; and the novel petit cadeau, published by The Chocolate Factory Theater as a print edition of one and a four-day, interdisciplinary live edition. She edited I Donʼt Poem: An Anthology of Painters (Off the Park Press) and Dancers, Buildings and People in the Streets, the catalogue for Danspace Projectʼs PLATFORM 2015, for which she was guest artist curator. She has been presented by The Walker Art Center, The Kitchen, The Whitney Museum of American Art, et al; received grants from the Doris Duke Charitable Foundation and Creative Capital/Warhol Foundation; and had residencies at such places as Headlands Center for the Arts, Lower Manhattan Cultural Council, and On the Boards theater. Her collaborators include the choreographer Michelle Ellsworth, the performance company Findlay//Sandsmark, and the musician/composer Phillip Greenlief, with whom she is animals & giraffes. Her poetry and prose have been published in such anthologies and chapbooks as 6X6 #34: I Like Softness (Ugly Duckling Presse), Imagined Theatres: Writing for a theoretical stage (Daniel Sack, ed; Routledge), and On Value (Ralph Lemon, ed; Triple Canopy). She teaches and lectures widely, including at Princeton University, the School of Visual Arts, San Francisco Ballet, and Tokyo’s Dance New Air festival; and has bylines in numerous publications, including BOMB, ARTFORUM, The New York Times, and East of Borneo. La Rocco is editor-in-chief of SFMOMA’s art and culture platform Open Space.

Collette McCaslin – trumpet/soprano saxophone, percussion; Amy Reed – guitar, voice

Amy and Collette are are two women with very integrated approaches to music, especially improvisation. Their duo corresponds to a logic of magical thinking that is formed by deeper subconscious stirrings. Together, their percussive and subtle sounds wind in and out of synergy, sometimes clashing, sometimes relating in sublime synchronicity.
Amy Reed is a visual artist, songwriter, and composer. Amy lives and works in Sacramento’s diverse communities hit hardest by unemployment and recession. She teaches and advocates for free—open to all—art and music programs in public schools and community spaces, building space and materials for students and nurturing relationships with artists and under-served communities. Recently, her students’ work was exhibited at Sacramento State University. She is the founder of Ma, a creative music series presenting collaborations and solo performance by women: improvisers, composers, educators, and performing artists.
Collette McCaslin is a San Francisco Bay Area based player of the Cornet, noisician,abstract artist, and writer. In her youth she explored plunder-phonics as a means of expression “composing” tape works comprised of snippets of radio static, college radio and death metal. As a teenager she was heavily influenced by her family to explore the realms of jazz, she played the saxophone at Cabrillo College. Her own interests diverged however, when she began working with guitar.Her first album “Machine” is a layered work of looping… At some point in the last ten years she started working with analogue FX boxes and doing feedback based electronics. With that setup she has played in numerous situations. Including “Lords of Outland” where she interacts with other musicians, live, with a feedback based instrument. As well as headlining at NorCal Noise Fest many years in a row…